progress with my weedy beading project

I'm loving the weedy seadragon, although I hit a snag when the background blue was too distracting from the beastie itself. The sudden change is how the light was in the photograph used for my custom pattern, but it just wasn't working as a beaded design.

I had to very slowly undo around 30 rows as there was a trail of the darker blue along the fins that I needed to also work back to. Undoing this was slower than making it, as the body is what I refer to as 'alphabet soup' due to the close colours in the pattern. I had to add the beads back to their respective work piles one or 2 at a time, as some are so close that with my imperfect sight, even with my close work specs on it takes a magnifying light to separate them accurately.

I looked at the colours in my stash for the next couple of projects (Van Gogh's Starry Night, and a beach scene) and found a galvanised dark aqua that works well. I will need to buy more to finish this cuff bracelet and for the project that it's from, and all the work undoing the rows was well worth it.

An expedition to the sewing room approaches

I need to tackle the mess that is my sewing room. I dumped sewing stuff - unfinished projects and ephemera that I came across as I unpacked my less than strategic moving boxes.  It looks like that exploded or was tossed by burglars so the room isn't functional.

I also need to find my cotton drill to mock up my regency stays, and find the semi-firm cotton organdy that I bought about 5 years ago to make a corded petticoat.  When I was tempted to re-buy both rather than face the sewing room I knew it was ridiculous.  Especially given I'm on a fabric diet and trying to downsize my stash by using it. So this Saturday I'm going in and told a friend I may need an emergency evacuation team by late afternoon.  There may or may not be before and after photos.

I've started my next beaded cuff bracelet - this is wider and of a weedy seadragon (in the seahorse family) and native to Sydney harbour.  I custom ordered the pattern from an Etsy seller who's patterns I've bought and will use, although after this is finished.  It has 22 colours, and I stuck labels to the lids so it's easier on my brain when I need to get the next colour out of a tube.

I've got about 12 at a time out on my work tray, and am enjoying working on it.

Sad truth - no sewing, I'm bead loom bracelet obsessed

I'm starting to get twitchy wanting to sew, which is only ever a good thing.

My custom regency stays pattern arrived months early (not questioning it!), although I've taken it to a copy shop to get a back up in case I lose any pieces.  I know myself only too well. I'll be starting the mock up this weekend.

The hobby I took up in the Christmas holidays has been a little addictive.  I now have Miyuki Delica 11/0 beads in colours that I have no project for - they're small, pretty and comparatively inexpensive.

If you're interested the 11/0 beads are 1.8mm so I had to add a dozen extra rows to make it the planned length. I'd worked on 2mm graph to start with (though scaled up to 4mm graph paper cos my eyes hated the smaller graph). I finished the strawberry and thought, "whaaaa why is this shorter?" I worked out the maths when the penny dropped about calculating the number of rows based on 2mm when they're 1.8mm.

Here are the two that I've already done the first stage for. The first one - strawberry bracelet was a learning curve so had some stops & starts and reversing as I realised that I didn't like the colour combination.

Getting the lighting right with my phone camera is a minor challenge, but I'll get a better one once it's turned into a cuff bracelet.

My second project was a shadow of a mermaid, and I completely changed my bead selection. I'd thought that the Lagoon Mix would be great as a background and #2 Blue Iris as the mermaid however the mix included a dark blue that was very close to the Blue Iris, and the blue Iris wasn't opaque but translucent with green lustre that depending on light made it to similar to the lagoon darker green.

So I put both those beads aside and used #83 Silver Lined Aqua as the background with #1 Gunmetal as the shadow.

The chart was found by a google search although I didn't like the background, however while obsessively looking for mermaid cross stitch patterns as inspiration I found one which had heart shaped bubbles in the back ground.  I used #629 Silver lined dyed Lavender as the bubbles as I'd tried white or pearl and that disappeared. The Lavender is subtle but not invisible. Her eye is #608silver lined blue - again not a high contrast choice. Finishing this part of the bracelet is making me want to finish my mermaid dress. That's now a higher priority.

I need to learn the next steps, how to turn the loomed piece into a bracelet and then I'll be wearing them.   I also worked out a different design for a mermaid bracelet (with Orca!), inspired by a mix of cross stitch patterns, and I'm planning to use the lagoon mix so it's not going to sit in my stash for ages.

The weedy and leafy seadragons have fascinated me since I first heard about them, and they are in Sydney harbour.  So I commissioned a couple of patterns and am about to start my 3rd bracelet. It's wider by half as much again and has 23 different colours so I'll need to focus and carefully mark off my rows.

After that I'll make a Van Gogh Starry Night bracelet - yes I have the pattern and 3 of the 11 beads already. The original strawberry seeds, a jet black and the Blue Iris.  I'm also going to do the second mermaid, and work on graphing up a Q*bert design. I loved that game and as it's an old school arcade the images I found are pixellated not modern more realistic images.